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Film Criticism Free From Exaggeration
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LFF 2024
Hamish Calvert
24th Jan 2025
REVIEW: Presence – an original but ultimately uninteresting ghost story
Hamish Calvert
19th Jan 2025
REVIEW: Wolf Man – an underwritten but adequately entertaining monster movie
Hamish Calvert
14th Jan 2025
REVIEW: Babygirl – a provocative portrayal of power and submission
Hamish Calvert
1st Jan 2025
Top 50 Films of 2024
Hamish Calvert
1st Dec 2024
REVIEW: We Live in Time – time twisting tearjerker tactfully tugs at the heartstrings
Hamish Calvert
25th Nov 2024
REVIEW: Nightbitch – Amy Adams runs wild in profound but peculiar meditation on motherhood
Hamish Calvert
19th Nov 2024
REVIEW: The Other Way Around – a break-up movie with a refreshing but repetitive twist
Hamish Calvert
17th Nov 2024
REVIEW: Dead Man’s Money – Irish attempt at Macbeth is certainly no Shakespeare
Hamish Calvert
15th Nov 2024
REVIEW: La Cocina – fiery kitchen drama cooks up an astute but overlong account of the immigrant experience
Hamish Calvert
12th Nov 2024
REVIEW: Armand – Renate Reinsve continues to impress in constantly evolving moral thriller
Hamish Calvert
6th Nov 2024
REVIEW: Bring Them Down – nasty Irish farming thriller is anything but sheepish
Hamish Calvert
2nd Nov 2024
REVIEW: Fréwaka – an eerie Irish language folk horror firmly grounded by its roots
Hamish Calvert
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